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Osaka’s Labubu companions draw attention as she advances at the US Open
Osaka’s on-court Labubu collection has become an unexpected talking point at the US Open.
Naomi Osaka has become as notable for a string of plush toys as for her tennis this week at the US Open. Seeded at a Grand Slam for the first time in more than three years, the former world No 1 and four-time major champion has reached the second week in New York for the first time since the 2021 Australian Open. Her on-court form and a growing Labubu collection have both attracted notice.
Labubus are plush monster toys with rabbit-like ears created by Kasing Lung in 2015. The figures first appeared in wider retail through Pop Mart in 2019 and their profile rose sharply after a 2024 sighting by a high-profile star in Southeast Asia. The toys became a mainstream pop culture craze in 2025.
Osaka appears to be the first player to embrace the trend publicly at a major. When she walked on for her opening-round match against Greet Minnen, a Labubu hung from her racket bag and prompted questions thereafter. “This is my Labubu. She’s named Billie Jean Bling, not Billie Jean King,” explained Osaka during her on-court interview.
For round two she returned with a purple Labubu called Arthur Flashe, a nod to Arthur Ashe, and beat Hailey Baptiste. After a three-set victory over 15th seed Daria Kasatkina, Osaka revealed the doll for that match was again inspired by Billie Jean King. She commented: “So, this is modelled after the real Billie Jean King, because I had a Billie Jean Bling. This is LaBillie Bu. We saw a comment that Billie Jean King wanted one, so we just made this one for her. I came out with it.”
Osaka faces Coco Gauff in the fourth round on Monday, and much of the attention will turn to which Labubu she brings next. For now the toys are a light-hearted, highly visible accessory alongside a return to meaningful Grand Slam progress.
1000 BNP Paribas Open WTA Player News
Gauff retires with left arm issue; Eala moves through at BNP Paribas Open
Gauff retired with a left arm issue while trailing Eala 6-2, 2-0; Eala advances at Indian Wells Sun
Coco Gauff was forced to leave the court for the second time in her professional career when a left arm problem ended her third-round match at the BNP Paribas Open. It was the first retirement for Gauff since the 2022 Cincinnati Open.
Struggling with the left arm on Sunday, Gauff retired while trailing Alexandra Eala 6-2, 2-0. The world No. 4 took a medical timeout before the final game of the opening set but chose not to continue after her opponent converted her fifth break of the night.
The retirement handed Alexandra Eala the victory and progression to the next round of the BNP Paribas Open. The match unfolded differently than their most recent meeting, when Gauff recorded a 6-0, 6-2 win over Eala en route to her first Dubai semifinal.
This stoppage underscored the toll a recurring physical problem can take during a tournament. The timing of the medical timeout late in the opening set followed by a quick end early in the second set highlighted how the left arm issue affected Gauff’s ability to sustain her game.
For Eala, the match provided a direct route into the later stages of the event. For Gauff, the outcome represented only the second retirement of her career and a reminder that recovery will determine her immediate plans. The scoreline, the medical timeout and the decision not to continue are the central facts from a third-round contest that ended before its natural conclusion.
1000 BNP Paribas Open WTA Player News
Coco Gauff retires with left arm issue, Alexandra Eala advances at BNP Paribas Open
Gauff retired with a left arm issue trailing Alexandra Eala 6-2, 2-0 at the BNP Paribas Open Sunday.
For the second time in her career, and the first since the 2022 Cincinnati Open, Coco Gauff was unable to finish a WTA match because of injury. The world No. 3 struggled with a left arm problem during the players’ third-round meeting at the BNP Paribas Open.
Struggling with a left arm issue on Sunday, Gauff retired while trailing Alexandra Eala 6-2, 2-0. The world No. 4 took a medical timeout before the final game of the opening set but decided not to force the issue any further after her opponent converted her fifth break of the night.
The retirement handed Alexandra Eala the victory and a spot into the next round of the BNP Paribas Open. For Gauff, the match marked only the second retirement of her professional career and served as a reminder of the care required when a player is hampered by a recurring physical issue.
The two had met recently with a very different outcome. In her previous tournament appearance, Gauff posted a 6-0, 6-2 victory over Eala en route to her first Dubai semifinal. That result contrasted sharply with the events at Indian Wells, where the left arm complaint ended the third-round contest prematurely.
Both the scoreline and the timing — a medical timeout late in the opening set followed by retirement early in the second — underline the impact the injury had on Gauff’s ability to continue. Alexandra Eala advances, while Gauff will leave the BNP Paribas Open with the second retirement on her career record and questions about her immediate playing schedule and recovery.
Analytics & Stats Dubai Duty Free Tennis Championships Player News
When the Serve Fails: Coco Gauff’s Ongoing Double-Fault Challenge
Gauff’s serving problems in Dubai exposed a long-running double-fault issue and search for fixes….
In a Dubai semifinal against Elina Svitolina, Coco Gauff’s frustration boiled into a rare on-court outburst. At 2-2, 15-all in the second set, a double fault prompted Gauff to stride toward her guest box and Gavin MacMillan, the biomechanics guru who joined her team last summer, and say, “I’ve been doing everything you’ve wanted for the last six months, and it’s gotten not better at all, bro.”
The moment underscored a persistent issue. For more than two years Gauff has led the WTA in double faults by a wide margin. Last summer she struck 23 double faults against Danielle Collins and 14 against Veronika Kudermetova on her way to the round of 16 in Montreal. In 2023 she hit 219 double faults and ranked 18th on the tour for that stat. In 2024 she leapt to 430, and she recorded 431 the following year.
Where the problem begins is debated. Is it a bio-mechanical flaw that can be adjusted, or a mental block commonly referred to as the yips? Brad Gilbert, who coached Gauff for 14 months ending in late 2024, offered perspective: “Coco, to me, is more resilient than a lot of those people,” and added, “Even with the serve issues, she still won the French. She still won two majors. She’s still finished in the Top 3 in the world. I feel like if you got the yips, this mental thing, your ranking is dropping, and fast.”
Analyst Rennae Stubbs sees a largely mechanical problem: “I think [her problem], it’s 90 percent mechanical and 10 percent mental,” she wrote. “The problem is that the 10 percent becomes 50 percent once the serve starts going off, because bad technique breaks down under pressure.
“There are so many mechanical issues with Coco’s serve that it’s really difficult to change at this point, but I do think it’s possible. I know Gavin is trying his best.”
Jimmy Arias recalled his own serving anxieties: “She should come talk to me,” he said. “I got the yips near the end of my career. I got so anxious serving that my right hip flew open too early, making it hard to hit a good second serve. I knew what the problem was, but I couldn’t stop it, even though I kept closing my serving stance more and more, until I looked like (John) McEnroe.”
Paul Annacone urged perspective and suggested a different focus: “No doubles, yet she was still annoyed at her serving,” he said. “What she said to MacMillan shows that she’s got baggage, she sees the serve as a big issue. But let’s be honest. How many majors has she won with, quote, unquote, a bad serve? Is it really bad? It’s not great, but so what?” He proposed “reprogramming her vision,” aiming for serving strategy over sheer power.
Experts differ on fixes, but all underscore that the problem is both technical and psychological. As Arias put it, “The most mystifying thing about all of this is how good Coco is in spite of everything.”
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