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Janice Tjen Enters WTA Top 40, First Indonesian Woman at That Level Since 1998

Janice Tjen rises into the WTA Top 40, becoming the highest-ranked Indonesian woman since 1998. Now.

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Janice Tjen climbed into the WTA Top 40 on Monday, moving from No. 46 to No. 36 after reaching the round of 16 at the Dubai WTA 1000 event. The 23-year-old is the first Indonesian woman to sit inside the Top 40 since Yayuk Basuki was No. 35 during the two weeks of the 1998 US Open, the weeks of August 31 and September 7.

Three weeks earlier Tjen had marked her Top 50 debut, rising from No. 59 to No. 47 after a second-round showing at the Australian Open. Her progression this season has been steep. On this day a year ago, Tjen was ranked No. 391. She only just started playing at tour-level at the end of last summer.

Tjen made her first tour-level main draw at the US Open, where she reached the second round. In the weeks that followed she reached her first WTA final in Sao Paulo and then captured her first WTA title in Chennai. Last week she reached the round of 16 at a WTA 1000 event in Dubai for the first time in her career, eventually falling to Amanda Anisimova.

Those results have included wins over established opponents. She already has four career victories against Top 30 players: No. 25 Veronika Kudermetova at last year’s US Open; No. 23 Leylah Fernandez at the Australian Open; a No. 29-ranked Maya Joint in Abu Dhabi; and the No. 29-ranked Fernandez again in Dubai. If those wins are a guide, further climbs up the rankings may follow.

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Tjen is back in competition this week at the WTA 500 event in Merida, where she is the No. 6 seed. She will meet former Top 40 player Camila Osorio in a first-time meeting in the first round.

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After Madrid and Rome, Kostyuk and Svitolina Carry Joy and Responsibility into Paris

Two Ukrainian champions, Kostyuk and Svitolina, balanced title joy with the burden of war at clay…

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Marta Kostyuk and Elina Svitolina turned May’s clay swing into a study in contrasting elation and quiet resolve. Kostyuk celebrated her first WTA 1000 in Madrid with an audacious backflip. Two weeks later Svitolina won her third Italian Open, closing out Coco Gauff in the final, flinging her racquet, raising her arms and smiling in disbelief eight years after her last Rome title.

Those scenes of release came with reminders of a harder reality. Both players are from Ukraine and have spoken openly about supporting their country. Even as they climbed new career highs, civilians in Ukraine were being hit by renewed missile strikes. A few minutes after her trophy twirl Svitolina finished her speech this way:

I want to thank all the people back in Ukraine that have been supporting me, watching at night, being in the bomb shelters.

“It’s been really heavy for the past couple of weeks for Ukraine, and I want to thank you for all the support, and I feel all the love.”

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Before Kostyuk’s backflip came her decision to bypass the handshake with Mirra Andreeva, mirroring the wider practice among Ukrainian players toward most Russian and Belarusian opponents. In her victory comments she thanked “all of my opponents” rather than singling out Andreeva. Asked about the long-running conflict, Kostyuk reinforced her stance: “For me, that doesn’t change,” Kostyuk said.

The pair are part of a deep Ukrainian contingent now counting seven players in the Top 100: Svitolina (No. 7), Kostyuk (15), Dayana Yastremska (45), Yulia Starodubtseva (54), Oleksandra Oliynykova (66), Anhelina Kalinina (89) and Daria Snigur (95). Oliynykova drew headlines earlier this year after accusing several tour-mates of “participating in Russian propaganda,” and she has since climbed from No. 96 to a career-high ranking.

On court the women have also improved. Kostyuk’s season form has been strong, and she has addressed mental hurdles that once undermined consistency. “I was living for many years in that state of everyone expecting big results from me,” Kostyuk said in Madrid. “I’ve tried to change that narrative in my head. And that worked, because, you just, you’re more consistent, you just go out there, you do your job, you don’t have like emotional attachment to it. Whether you win or lose, you just keep working and keep becoming a better person and a player, and that’s it.”

Svitolina changed her physical approach and surged through a tough Rome draw, and reflected on it succinctly: “This one is I think one of the toughest draws that I had in a tournament,” Svitolina said. “I’m very proud of the way that I’ve been handling myself and handling the nerves and being consistent.”

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Zeynep Sonmez rises to No.59 to set new Turkish WTA ranking record

Zeynep Sonmez climbs to No.59, the highest WTA ranking in Turkish history, after Rome second round..

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Zeynep Sonmez has moved to a new career-high and become the highest-ranked Turkish player in WTA history after a rise to No. 59 this week. The 24-year-old climbed from No. 65 following a second-round showing at the WTA 1000 event in Rome, eclipsing Cagla Buyukakcay’s previous national high of No. 60 from 2016.

Buyukakcay and Sonmez remain the only two Turkish players to crack the Top 100 in WTA rankings. They are also the only two Turkish players to have won WTA titles: Buyukakcay captured the clay-court trophy in Istanbul in 2016, and Sonmez won the hard-court event in Merida, Mexico in 2024.

Sonmez has a direct personal link to that earlier milestone. She was a ballgirl during Buyukakcay’s run to the Istanbul title a decade ago, and told the WTA it was an inspiration. “It was very emotional for me,” she said. “Everyone in Turkish tennis was there. Of course, it was a good inspiration for me and for all Turkish players.”

Her rise to No. 59 follows a breakthrough season on the biggest stages. Last summer at Wimbledon she became the first Turkish player in the Open Era, woman or man, to reach the third round of a Grand Slam. She repeated that third-round appearance at the Australian Open this year.

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Sonmez has also established consistent form on tour, advancing at least one round in her last six events, all at WTA 500 level or higher. Highlights of that run include a WTA 500 quarterfinal in Merida and a third-round showing at the WTA 1000 in Madrid. She also recorded the first Top 10 victory of her career against Jasmine Paolini in Stuttgart.

© 2026 Robert Prange

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Sorana Cirstea becomes oldest woman to debut in WTA Top 20 after Rome run

At 36, Sorana Cirstea reaches No. 18 after Rome semifinal, the oldest woman to debut in Top 20. Now.

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Sorana Cirstea has reached a new career milestone, entering the WTA Top 20 at No. 18 following her run to the semifinals of the WTA 1000 event in Rome. The Romanian jumped from No. 27 to a career-high ranking after a week that included a third-round victory over Aryna Sabalenka, a win that made her the oldest woman ever to defeat a reigning WTA No. 1.

At 36 years young, Cirstea also set a different record: she is the oldest women’s player to make a Top 20 debut in the WTA rankings, which date back to November 1975. The breakthrough completes a remarkable late-career surge. Over the last 10 months she rose from outside the Top 100 last August to No. 44 by the 2025 year-end rankings, and has continued to climb through 2026.

Cirstea has come close before, having reached No. 21 in both 2013 and 2014 and spending time inside the Top 25 in 2009, 2022, 2023 and 2024. This season has provided clear highlights: her fourth career WTA title, and her first on home soil, came in Cluj-Napoca in February, and last week she recorded the fourth WTA 1000 semifinal appearance of her career in Rome. She is currently No. 11 on the year-to-date race standings.

During the off-season Cirstea announced that this would be the last year of her professional career. Despite that, 2026 is shaping up as the best year of her career. Having missed Roland Garros last year with an ankle injury, she arrives at the clay-court major with no points to defend, an opening to extend the climb she has mounted over the past season.

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The move into the Top 20 caps a string of results that have redefined the back half of Cirstea’s career, blending a long experience of the tour with a sudden run of form on the biggest stages.

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