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Coco Gauff reshapes her serve mid-US Open as pressure and progress collide

Gauff is reworking her serve at the US Open, making bold mid-tournament changes. a stern examination

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Coco Gauff arrived at the US Open confronting a conspicuous weakness: a volatile serve she has chosen to overhaul in public, during the tournament itself. That decision has been emotional and disruptive, and it helps explain the tears she shed during her second-round match with Donna Vekic.

On Arthur Ashe Stadium, Gauff produced a clear sign of progress, dispatching No. 28 seed Magdalena Frech 6-3, 6-1 in one hour and 13 minutes. Frech, a 27-year-old from Poland, engaged Gauff in a number of long rallies and forced extended exchanges. Statistically, Frech made 17 forced errors to Gauff’s nine and nearly twice as many unforced errors (29-18). For Gauff the most notable serving stat was four double faults in the match.

Gauff has struggled repeatedly with double faults this season, leading the WTA with more than 300 eight months into the year and producing 23 double faults in a single match in Montreal. After Montreal she sought help. In a fortunate turn, serve and biomechanical specialist Gavin Macmillen, who had worked with Aryna Sabalenka previously, became available shortly before the tournament.

McMillen’s work has focused on the serve: the toss, shoulder alignment, body rotation and launch point, with an emphasis on building new muscle memory rather than raw speed. Gauff described the timing and the choice succinctly: “I just felt like I didn’t want to waste any more time.”

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Her path here included a first-round win over Ajla Tomljanovic, a three-set match in which she hit 10 double faults, and the tight, emotional test against Vekic in which she still managed to hold together and advance.

Martina Navratilova was shocked Gauff decided to make the drastic change in New York. “If you’re trying something new and you have no idea how it’s going to turn out, especially when you don’t have any confidence, you really need to do it in a quiet space.”

Gauff acknowledged the strain on court: “It’s been a rough couple of weeks, but I’m just happy to be back on this court. You guys give me so much joy and the reason. . .” She added, “You guys really help me a lot. So I’m doing this for myself, but I’m also doing it for you and no matter how tough it gets inside, you [we] can do it.”

A challenging fourth-round opponent awaits in Naomi Osaka. Gauff, who leads their series 3-2, said: “I’m honestly excited to play her now, because I feel healthy, and I just want to see what happens.”

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“This whole tournament I think will stick for me the rest of my career, knowing that if I can get through, like, two tough matches feeling how I’m feeling, I know I can get through pretty much anything,” Gauff said. “Regardless, I hope I get more Grand Slam finals and when those nerves come, I’ll recall this feeling and know that it probably can’t get much worse than this.”

Finals French Open Grand Slam

Qualifier Maja Chwalinska Becomes First to Reach Roland Garros Final in Open Era

Maja Chwalinska, world No. 114, became the first qualifier to reach a Roland Garros final. She is 24.

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Maja Chwalinska advanced to the Roland Garros final on Thursday, completing a run from qualifying to within one match of a major title. The world No. 114 defeated fellow left-hander Diana Shnaider 7-6 (4), 6-4 to become just the second women’s qualifier in Open Era history to reach a Grand Slam final and the first to do so at Roland Garros.

Chwalinska, 24, produced a composed performance in a high-quality contest. After losing a break advantage in the opening set, she saved two break points to hold for 6-5, then took control of the tiebreak by winning the final five points. The Pole struck 32 winners while committing 17 unforced errors. Shnaider finished with a 33-to-36 winners-to-unforced-errors ratio.

The momentum carried into the second set, where the pair traded breaks before Chwalinska secured a third return game to move ahead. After two hours and seven minutes, the victory belonged to the qualifier.

“I mean, like a dream honestly. I don’t know what’s going on,” she said on court afterwards in Paris. “I don’t know what to say. I’m just very happy.”

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This is only Chwalinska’s third main-draw appearance at a major; her previous two were at 2022 Wimbledon and the 2025 Australian Open. With the title match still to come, she has the chance to complete one of the most unlikely Grand Slam runs of the season. Should she defeat Mirra Andreeva in Saturday’s championship match, she would join Emma Raducanu as a qualifier to capture a major trophy.

Chwalinska’s run from the qualifying competition to the championship match is a rare achievement in modern tennis and adds a compelling chapter to this year’s event.

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Finals French Open Grand Slam

Mirra Andreeva advances to first Grand Slam final after straight-sets win over Marta Kostyuk

Andreeva reached her first Grand Slam final at Roland Garros, defeating Kostyuk 6-1, 6-3. No. 8 seed

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Mirra Andreeva will contest her first Grand Slam title after a commanding performance in the Roland Garros semifinals. The 19-year-old became the first player this clay season to beat Marta Kostyuk, recording a 6-1, 6-3 victory in Thursday’s opening women’s semifinal.

“The conditions were very tough today. I couldn’t understand which direction the wind was going,” Andreeva told Marion Bartoli on court. “I’m just happy I was able to stay focused. I told myself to accept everything that happens today on the court. It was a little bit unpredictable.”

The result marked Andreeva’s first win in three meetings with Kostyuk; she had lost their previous two encounters, including the Mutua Madrid Open final in May. Drawing on the experience of a 2024 semifinal at this event, the No. 8 seed sprinted to a 4-0 lead and largely maintained control as gusty conditions complicated timing and movement.

Andreeva’s game plan remained composed and precise. Kostyuk was unable to reproduce the form that had driven a 17-match clay winning streak into the major, and at times vented visible frustration. The only clear lapse from Andreeva arrived at 4-2 in the second set when she was broken at love after a double fault and an errant forehand. She recovered immediately, varying pace to force a re-break and then served out the match on her first opportunity.

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Statistically, Kostyuk finished with a minus-19 differential between winners and unforced errors, a telling indicator of how the match tilted. Andreeva, contesting her 13th major main draw, is the youngest woman to reach a Grand Slam final in four years, the last being an 18-year-old Coco Gauff at this event.

The Russian leads the tour with 21 clay-court wins and 35 match wins overall this season. She now bids to become the WTA’s third youngest first-time major champion this century behind Maria Sharapova and Emma Raducanu.

© 2026 Franco Arland

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ATP French Open Grand Slam

Pre-Match Style at Roland Garros: Osaka, Djokovic and the Walk-On Moment

Players turned the walk-on into a runway at Roland Garros, with Osaka’s upcycled couture and Djokovic’s wolf jacket.

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The most talked-about statements at Roland Garros this year arrived before rallies began, as players turned the walk from tunnel to baseline into a deliberate fashion moment. Cameras trained on entrants have made the pre-match entrance one of the tournament’s most visible stages.

Naomi Osaka delivered the tournament’s defining wardrobe story during her run to the fourth round, combining a sequined Nike tennis dress with couture-inspired outer pieces by Swiss designer Kevin Germanier. The creations, built from upcycled Nike garments, included a black beaded jacket, a floor-length skirt and a detachable white tulle train. “If I had to give a short answer, the outfit is a nod to France, to Parisian couture, and sustainability,”

“…The designer that we did end up pairing with just kind of spoke our same language.” Osaka mixed and matched those elements across matches to create a recurring “court-ure” theme.

Novak Djokovic marked his record-tying 22nd Roland Garros appearance with a bespoke Lacoste jacket from creative director Pelagia Kolotouros. The piece, inspired by the colours and textures of the terre-battue, incorporated real clay detailing and featured a prominent wolf graphic across the back, a motif the 24-time Grand Slam champion has long embraced.

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World No. 1 Aryna Sabalenka paired a black-and-red Nike dress with prominent accessories from sponsor Material Good, a collection of jewellery that included 23 carats of diamonds and 120 carats of garnets across necklaces and earrings. During Paris’s heat wave cameras captured her pressing a Shark ChillPill personal fan to her face during a changeover.

Coco Gauff followed last year’s leather-jacket moment with two New Balance walk-on looks, each pairing a white bodysuit and mesh-overlay dress in charcoal or pink along with matching headbands and wristbands. Mirra Andreeva and Sorana Cirstea also embraced pink tones. Jannik Sinner appeared in head-to-toe blue from Nike’s 2026 Roland Garros collection with his Gucci x Head bag, while Andrey Rublev and Matteo Berrettini opted for blue shades. Other players displayed brand statements as well, with appearances from Madison Keys, Moise Kouame, Alexander Zverev, Elina Svitolina, Victoria Mboko, Marta Kostyuk, Joao Fonseca and Iga Swiatek.

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