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Anisimova reveals hearing problem after straight-sets US Open final loss

Anisimova revealed she had been deaf in one ear for two weeks after her US Open final defeat. (2025)

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Amanda Anisimova left Arthur Ashe Stadium clearly devastated after a straight sets defeat to world No 1 Aryna Sabalenka in the US Open final, the second Grand Slam final she has reached in 2025. The runner-up cheque of $2.5m will soften the sting of the loss, but it was a post-match admission that caused concern.

As she addressed the crowd, Anisimova disclosed a recent medical issue that may have hampered her performance. “I’ve been deaf in one ear for the past two weeks,” declared Anisimova, as she asked for more time to thank the fans and her support team at a moment when self-absorbed interviewer Mary Carillo seemed intent on taking the limelight away from what was a special moment for the two finalists.

Loss of hearing in one ear can affect spatial awareness and balance on court, factors that could have influenced her movement and timing during the fortnight. The run to the US Open final is therefore all the more noteworthy given this handicap.

Anisimova was reflective about back-to-back Grand Slam finals and the differing nature of this defeat compared with earlier setbacks. Her loss at Wimbledon in July to Iga Swiatek, a 6-0, 6-0 result, remained a recent low, but she found little comfort on this night.

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“Losing in two finals in a row is super hard. I think I didn’t fight hard enough for my dreams today,” she said. “I want to say congratulations to Aryna. You are so incredible. I’m in awe of what you’ve accomplished, and you keep on achieving so many incredible things.

“Thank you also to everyone who came out and supported me at my home Slam throughout these two weeks. It has been an incredible fortnight. I love playing here and it has been a dream to play in the final of the US Open. Thank you to everyone at the US Open for making this happen.”

Onlookers in the stands and the commentary box reacted with sympathy. “It’s so tough when you see someone breaking down at the same time as someone celebrating,” Robson said, reflecting the mixed emotions that followed the ceremony.

Anisimova leaves the tournament with a clear record of achievement in 2025 and a medical issue that will likely draw further attention in the weeks ahead.

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Sabalenka and Kyrgios to meet in Dubai ‘Battle of the Sexes’ exhibition

Sabalenka and Kyrgios will meet in Dubai on Dec. 28 for a ‘Battle of the Sexes’ exhibition. indoors.

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Top-ranked Aryna Sabalenka and former Wimbledon finalist Nick Kyrgios are scheduled to face each other in a “Battle of the Sexes” exhibition set for Dec. 28 in Dubai. The match will be played indoors at the 17,000-seat Coca-Cola Arena, and both players posted logistical details on their social media channels after Sabalenka confirmed during the U.S. Open that discussions for the match were underway.

Before their head-to-head meeting in Dubai, both players will take part in an exhibition in New York on Dec. 8, though they will not play one another there. Sabalenka will face Naomi Osaka and Kyrgios will play Tommy Paul in that event.

Kyrgios has outlined specific conditions for the Dubai match, saying he would get only one serve and would be hitting toward a smaller side of the court. The Australian, who has barely played in recent years because of injuries, has predicted he will win easily.

“I cannot wait to get back out on court,” Kyrgios said in an Instagram story. “Honestly I’m feeling amazing. I never thought I would be back into this position, being able to travel the world, see my fans and play some amazing tennis.”

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The exhibition borrows its name from the famous 1973 meeting between Billie Jean King and Bobby Riggs, a match King won in straight sets in the Houston Astrodome. Sabalenka enters the off-season as a four-time Grand Slam champion and one of the top attractions on the women’s tour, while Kyrgios returns to a spotlighted appearance after a period of limited competitive play.

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Alizé Cornet named captain of France’s Billie Jean King Cup team

Alize Cornet named France Billie Jean King Cup captain after retiring; will prepare Olympic team…

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Alizé Cornet has been appointed captain of France’s Billie Jean King Cup team a few months after retiring from tennis a second time earlier this year. The French tennis federation announced the nomination on Sunday, saying Cornet stood out from other candidates because of her “investment in French tennis, her profile, her motivation and her availability.”

The 35-year-old replaces Julien Benneteau, who held the role since 2019. Cornet’s remit will extend beyond the Billie Jean King Cup squad and includes preparing the French Olympic team leading up to the Los Angeles Games in 2028, monitoring national team players during competitions and overseeing youth teams.

“I appreciate the trust the federation has placed in me, and I am determined to do everything I can to help our players reach their full potential,” Cornet said in a statement. “My goal is to build a strong team spirit, based on high standards, solidarity, and a passion for the French jersey.”

Cornet brings the experience of a 20-year professional career to the role. Touted as a young prodigy, she achieved a career-high ranking of No. 11 in 2009 and won six singles titles. Known as a solid baseline player with a strong backhand, she also held the women’s record for most consecutive Grand Slam tournaments played at 69, a streak that ran from the 2007 Australian Open to last year’s French Open.

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The federation emphasized Cornet’s availability and motivation when confirming the appointment. Her new duties place her at the centre of France’s national-team planning as preparations begin toward future international events and the 2028 Olympic cycle.

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Alcaraz’s off-hand: the hidden engine behind his forehand

Alcaraz’s extended off-hand increases shoulder coil, storing energy that fuels his explosive forehand

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Watch almost any top-level player hit a forehand and you will notice the off-hand is not idle. During the takeback it helps position the racquet and rotate the upper body, creating structure and stored energy to release into the shot. For most players the hands separate during the takeback and the off-arm stays parallel to the net.

The current men’s No. 1 takes a different route. Where most players let go of the racquet’s throat when the off-arm is just about parallel to the net, he holds it until his left hand is even with his hitting shoulder. That retained contact changes how his stroke loads and unloads.

Keeping the off-hand on the racquet longer creates greater upper body tension. Mimic his turn and you can feel the stretch in the lats. The added shoulder rotation builds more stored energy that can be transferred into the swing. Yet the result is not a bigger, slower motion. He turns his shoulders more while maintaining a compact geometry: a bent hitting elbow and the racquet head level with the chest, similar to players who use a more modest shoulder turn.

That combination lets him generate faster swing speed without an exaggerated path. He uncoils with a relatively loose arm and so produces immense racquet head speed without relying on an extreme loop or oversized swing.

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He is not a template everyone can copy. Few players can replicate his range of motion, upper body flexibility or world-class timing. Even so, approximating a deeper shoulder coil and delaying the separation of the off-hand can measurably increase the amount of energy available to a forehand. For players and coaches focused on adding speed and consistency, the lesson is clear: the off-hand is an active tool for storing rotation-based power, not merely a balancing aid.

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